reanjr said:
Actually, I had noticed the realism and that is part of the reason for my comment. I didn't really see a purpose in having artwork when you can have a photograph of the thing.
Well, for several reasons.
1) the photographs of existing weapons are all of varying quality. Some photo's are excellent, others are fuzzy and dim. Not much can be done about this because many even famous weapons were photographed in the 1940's or 1950's and then disappeared into private collections so there is basically no way to photograph them again. (More and more get bought up every day, even bronze age stuff, it's amazing....) To this day we see about 10 times as many authentic battle weapons in private auction houses as in museums, for example. And ironicaly, in the case where items are in museums, the museum often copyrights their own photographs, wheras the auction houses are often willing to allow modern spathologists to photograph the weapons, often in exchange for some help in pinpointing their exact identity.
2) The available photographs of the weapons are also all of different scales making it sometimes hard to get a sense of it's real size.
3) Some of the weapons themselves are more deterioarted than others, so in some cases the artist is removing things like rust and pitting.
The ultimate idea of drawing them is to have them all at the same scale, done by the same artist, so you can get something really not available in any weapon book for RPG's or even for sword experts: a comprehensive overview of the most commonly available weapons at the same scale, where they can be easily compared and contrasted.
I also personally feel that the drawings convey a bit more of a sense of mystery, and I think the real weapons look immensely better than the oversized, improbably spike encrusted phony looking cartooon ones often depicted in RPG books, although I freely grant that is a matter of personal taste.
(Give me Ramone's longsword or claymore over that picture of the greatsword in the PhB any day!)
DB