This Weekend @ The BoxOffice: 2012_Apr.09

Hand of Evil

Hero
Epic
Hunger Games still holding strong and seeing green...must be people! ;)

Weekend Report: 'Hunger Games' Three-peats, Passes $300 Million Over Easter
by Ray Subers -- April 8, 2012

Despite the entrance of two competitive titles to the marketplace over Easter Weekend, box office phenomenon The Hunger Games had little difficulty taking the top spot for the third-straight frame. American Reunion opened in second place, though its debut doesn't compare favorably to earlier series entries, while Titanic 3D wound up on the low-end among 3D re-releases. The Top 12 earned an estimated $117 million this weekend, which is up 14 percent from the same period last year but off a bit from Easter 2011 (which was later in the month).

The Hunger Games dropped 43 percent to an estimated $33.5 million. That's the seventh-highest second weekend of all-time, and it's the best since Alice in Wonderland in March 2010. Based on Lionsgate's projections, the movie will pass $300 million on Easter Sunday, which is only its 17th day in theaters. That's the sixth-fastest pace ever, and it ranks second behind Avatar among non-sequels. Its estimated $302.8 million total is more than the final tally of all of the Twilight movies and all but two of the Harry Potter flicks. Based on its current trajectory, The Hunger Games should end up with at least $350 million.

American Reunion took second place with an estimated $21.5 million from 3,192 locations. That's much lower than the opening weekend for American Pie 2 ($45.1 million) and American Wedding ($33.4 million), and it's even noticeably off from the original American Pie in estimated attendance. Still, it didn't drop quite as far from its predecessor as Scream 4, which was last April's attempt at resuscitating a long-dormant franchise for a fourth outing.

There are plenty of possible reasons for American Reunion's underwhelming debut. Women may have been distracted a bit by The Hunger Games and Titanic 3D, which earned over $50 million combined. Also, Easter weekend can be a tough time to open an R-rated movie—American Reunion's $21.5 million is actually the best R-rated Easter debut since Panic Room a decade ago. In comparison, the first three American Pie movies were all released in the Summer, which is prime real estate for raunchy R-rated fare.

While timing surely played a role, the bigger problem was probably with the brand itself. While the first three American Pie movies played a part in establishing the model for risqué sex comedies in the new century, they haven't really held up that well (when the average person is asked what they think of American Pie, the standard response seems to be: "I liked the first one, but the sequels? Not so much.") Also, after seeing ads for cheesy direct-to-video spin-offs for the better part of the last decade, people were probably less likely to pay much attention to the ads for American Reunion. Those spin-offs were meant to prolong the brand, but in doing so they also wound up diluting it a bit.

Universal is reporting that 61 percent of the audience was 25 years of age or older, and it also skewed slightly male (51 percent). They awarded the movie a solid "B+" CinemaScore, which doesn't really give a strong indication regarding word-of-mouth.

Titanic 3D earned $17.35 million from 2,674 locations this weekend, which brought its five-day total to $25.7 million. Including the original release, James Cameron's period epic has grossed $626.5 million at the domestic box office, which ranks second on the all-time chart behind Avatar.

The movie's three-day weekend was the lowest among all four of the 3D re-releases from the past eight months, including Beauty and the Beast ($17.75 million). That's not an entirely fair comparison, though, given its 194 minute runtime and Wednesday opening. Looking at it another way, Titanic 3D's five-day opening of $25.7 million ranks second among 3D re-releases behind The Lion King ($35.1 million).

Paramount is reporting that the audience was 51 percent under the age of 25 (most of whom were probably a bit too young to see the movie on the big screen in 1997), and 60 percent female. They awarded the movie an "A" CinemaScore, which bumped up to an "A+" among women. Eight percent of the grosses came from 79 IMAX screens, and the movie will move on to many more of those screens on Friday when more of the Wrath of the Titans commitments expire. Because it's an all-digital release (meaning theaters can easily switch between 3D and 2D presentations), Paramount is not currently providing a 3D share.

The jury is still out on Titanic 3D. If it burns out quickly like Star Wars: Episode I—The Phantom Menace in 3D, then it should be viewed as a bit of a disappointment—considering how popular Titanic is, though, that scenario seems extremely unlikely.

In fourth place, Wrath of the Titans fell 55 percent to just over $15 million. That's a slightly better hold than Clash of the Titans had (56.5 percent decline), though Wrath's $58.9 million 10-day total is less than Clash's opening weekend gross ($61.2 million).

Mirror Mirror dipped 39 percent to an estimated $11 million in its second weekend. That's a fine hold, though it's a bit worse than past family titles over Easter weekend (for example, Rio and Monsters Vs. Aliens were both off 33 percent). Relativity Media's Snow White flick has now earned $36.5 million.

In its fourth outing, 21 Jump Street eased just 31 percent to an estimated $10.2 million. It passed $100 million on Friday, and is at a very impressive $109.6 million through Sunday.

Dr. Seuss' The Lorax added $5 million this weekend to bring its total to $198.2 million. By Tuesday or Wednesday it will become the second 2012 movie to pass $200 million, and the first animated movie to hit that mark since 2010's Tangled.

The Raid: Redemption expanded to 176 locations and grossed an estimated $565,000 ($3,210 per-theater average), which was good for 11th place this weekend. The movie is currently scheduled to expand in to at least 500 more theaters next weekend, which technically means it will be making a nationwide expansion (600+ venues).
 

log in or register to remove this ad

And a side note...

March 2012 Easily Sets Record
by Ray Subers --- April 4, 2012

With The Hunger Games and Dr. Seuss' The Lorax both significantly exceeding expectations, March 2012 easily claimed the all-time March record with over $940 million. That's an incredible 38 percent improvement over the same period last year, and it's also up 13 percent on the previous record holder (March 2010 with $832 million). Even when adjusting for inflation, March 2012 sold the second-highest number of tickets behind March 2002.

The Hunger Games was the highest-grossing movie in March with $233.3 million after just nine days in theaters. The movie accounted for around a quarter of the month's overall tally, and it ranks second all-time for March earnings behind Alice in Wonderland, which made $299.5 million in its first 27 days. Based on its currently trajectory, though, The Hunger Games should ultimately beat Alice in Wonderland's $334.2 million total to become the top movie to ever open in March.

In a not-so-distant second place, The Lorax earned an impressive $187.2 million. The movie is currently on its way to over $200 million, which will make it the first animated movie to reach that mark since 2010's Tangled. 21 Jump Street took third place with $88.9 million, and will become star Channing Tatum's second $100 million grosser over a two month period of time. Project X was also fairly successful with $53.2 million on a very modest found-footage budget.

March also had a number of disappointments, none more obvious than Disney's mega-budget epic John Carter. Based off a century-old sci-fi series and green lit with the intention of becoming the first in a multi-film franchise, John Carter grossed just $65.6 million through its first 23 days in theaters. It has fared much better overseas ($188.3 million through April 1), but that barely softened the blow to Disney's bottom line.

Aside from John Carter, there were a handful of other underperformers. Wrath of the Titans earned just $25 million over its first two days in theaters, which is a little over half of what predecessor Clash of the Titans made in its opening. A Thousand Words continued Eddie Murphy's cold-streak with a terrible $16.3 million, and Silent House was even worse with just $12.3 million. Finally, Mirror Mirror grossed $13.4 million through its first two days, which isn't an altogether impressive tally.

3D ticket sales accounted for roughly $170 million for the month, or 18 percent of total box office. That's about on par with February (17 percent), and it seems like 15-20 percent of ticket sales is going to be the new norm for 3D (though that could go higher in blockbuster-heavy Summer months).

Overall box office wound up just under $2.6 billion through the first quarter of 2012. That's up a massive 23.6 percent from the same time in 2011, though it is still off from 2010 by two percent. With an upcoming lineup that includes The Avengers (May 4), The Amazing Spider-Man (July 2), The Dark Knight Rises (July 20), The Twilight Saga: Breaking Dawn Part 2 (Nov. 16) and The Hobbit: An Unexpected Journey (Dec. 14), there's a very good chance that 2012 winds up topping 2009's record $10.6 million overall gross.
 


With The Hunger Games and Dr. Seuss' The Lorax both significantly exceeding expectations, March 2012 easily claimed the all-time March record with over $940 million. That's an incredible 38 percent improvement over the same period last year, and it's also up 13 percent on the previous record holder (March 2010 with $832 million). Even when adjusting for inflation, March 2012 sold the second-highest number of tickets behind March 2002

I'd just like to send out my warmest and most heart-felt sympathies to all the poor, starving artists in Hollywood who are victimised terribly and suffering immensely at the hands of all these meanie-head pirates that are completely ruining the industry and stealing all their hard-earned monies.

Hollywood is dead. Long live Hollywood.
 

I think this should put to rest any notion that movies with female leads can't make money.


A lot of people make that mistake. That's Danny DeVito voicing the Lorax, not Emma Stone. I did go see The Hunger Games on Saturday, which I thought was a thin but fine enough movie with some holes in it due to stuff they chose not to include from the books.
 

A lot of people make that mistake. That's Danny DeVito voicing the Lorax, not Emma Stone. I did go see The Hunger Games on Saturday, which I thought was a thin but fine enough movie with some holes in it due to stuff they chose not to include from the books.

I was referring to Hunger Games. There are quite a few tropes out there illustrating what a male-dominated industry this is and I suppose how that translates into a certain type of thinking that men can't relate to female heroes/protagonists. While I didn't think Hunger Games was such a great film (as you said, it has some holes), I could still very much relate to Lawrence's character in how she wants to protect her family. Even as a Leonidas beard-toting man.

Of course, that's just how I experienced the movies. I don't know how other men saw it.
 

I was referring to Hunger Games.


Really? (I picked up on that. ;) )


There are quite a few tropes out there illustrating what a male-dominated industry this is and I suppose how that translates into a certain type of thinking that men can't relate to female heroes/protagonists. While I didn't think Hunger Games was such a great film (as you said, it has some holes), I could still very much relate to Lawrence's character in how she wants to protect her family. Even as a Leonidas beard-toting man.

Of course, that's just how I experienced the movies. I don't know how other men saw it.


It's a good character and, from what I am told, even moreso in the book(s). Along the same lines, I am looking forward to seeing how Brave turns out. Looks like it will portray a strong female lead but sometimes that's just the carrot and in the end the lead gets watered down to something less by the end of the movie.
 

Of course, that's just how I experienced the movies. I don't know how other men saw it.

I was borderline underwhelmed with both the books and the movie (the movie has holes because the books have holes), but I did enjoy the female lead. There are things the series does wrong and things the series does right, but the strong female lead is one of the good things (possibly the best thing). Both versions also pass the Bechdel test.
 


Remove ads

Top