mirzabah said:
I don't know why so many people are wetting their pants about Monte et al submitting proposals, or puffing up their chests at the thought they may be up against the big boys and girls. A professional writer wouldn't sell anything they thought was halfway decent for USD$120,000. 120K plus royalties, maybe.
Like Eric or someone said, this would be a great way for someone to get a leg up into publishing. However, that doesn't make it a good deal for an established writer.
What the heck is your definition of a professional writer?!?
A recent survey shows that the number of authors who can live off their own writing has shrunk from 50% to less than 25%. And most of them (even writers you probably read right now) don't become self-sufficent until they write their 7th book.
For the amount of work asked for compared to the work and pitching they and their agents have to do for a real novel, this contest is a dream come true.
Never mind the idea of getting a one week turnaround on a one-page synopsis, compared to the 2 months it takes minimum for a book agent to send you a form letter. Never mind the time it takes to wait on the publisher's slush pile.
Royalities? That is publishing industry thing, not a game industry policy. Most gaming stuff in "work for hire" which means a one time fee or a salary if you're on staff.
And even in publisihing, some writers don't see royalities if their book doesn't pay out past the amount the Publisher gave in an Advance. That is the reason it is called an advance, it is a sum of money given to the writer that will be taken out of royalities later.
Why?
It's easier and quicker once you are established and have an agent to pitch just an idea instead of writing the whole book. Then the advance pays the bills while one gets the book done. Royalities come after the book is on the shelf and by then the writer is living off another advance. It's a vicious cycle. Unless a book is a solid seller, basicly the royalites pay off the advance.
Why does the publishing industry do this? It lets them determine who really becomes self sufficient as a writer (but only after they sign a contract with them). Steven King got $200,000 for Carrie in the 1970s. His publishers wanted him full time and theirs, hook, line and sinker. Lets say that money is worth $300,000 these days (probably an exageration). which is a little more than double the WotC one-time fee.
So do you think you are half the writer Stephen King is?