Here’s some dark horse candidates:
He is extremely good at playing a bordering-on-psychotic-in-charming-way a-hole. Like one of the best.Though Nicolas Hoult really has too kind a face, but he's a great actor (the best of the three, IMO) so... he could probably pull it off in spite of that.
That's true. But he still has a kind face. It just turns into a creep, but not what I think of as Bond. But you're right, he'd pull it off somehow.He is extremely good at playing a bordering-on-psychotic-in-charming-way a-hole. Like one of the best.
Roger Moore had an incredibly kind face, and Craig has a relatively kind one, so I don't think that's really a problem. Personally I'd characterize Hoult's resting face as looking kind of inquisitive rather than kind myself.That's true. But he still has a kind face. It just turns into a creep, but not what I think of as Bond. But you're right, he'd pull it off somehow.
Having re-watched the movies a few years ago and listened to Bond pocasts* I'd say this was a very succinct and accurate summary of the various Bonds. Brosnan Bond also just straight up kills a lot more people than other Bonds per-movie, I guess that was the '90s for you. Agree re: Dalton-style Bond as the ideal for a modern Bond.Just taking the films by themselves, Connery Bond is a brutal misogynistic rapist, Moore Bond is better but he’s not above sexual harassment and racism (as a character, it’s not his fault that Live and Let Die is incredibly racist, but it sure as heck is the fault of his writers, who are also responsible for his choices). Dalton Bond is vastly better (respectful, thoughtful, ethical, empathic), better than Brosnan Bond (who also loves a bit of sexual brutality and harassment). Craig Bond is a bit of a thug but otherwise could be worse.
The Brosnan era brought back the outlandish stunts and over the top action of the Moore era, but tried to keep a straight face with it. While not great spy stories, they were fun action movies. Thats sort of the trap with Bond, you need to balance the two ideas to get the best movies, IMO.Having re-watched the movies a few years ago and listened to Bond pocasts* I'd say this was a very succinct and accurate summary of the various Bonds. Brosnan Bond also just straight up kills a lot more people than other Bonds per-movie, I guess that was the '90s for you. Agree re: Dalton-style Bond as the ideal for a modern Bond.
* = Particularly recommend Kill James Bond, which can be very, very funny, though I'd say start with Moore-era or even one of the Brosnan ones then go back, because the stuff that happens in the Connery ones is kind of rough.
The movie Live and Let Die maybe, maybe gets a little bit of a pass because it was trying hard to capitalize on the Blaxploitation era - but doing so with a white hero and heroine was colossally tone deaf.Live and Let Die literally suggests all Black people period or at least most Black people in New York, depending on how you interpret it, are organised some sort of conspiracy against white people. Repeatedly. There are actually people who would argue it's not even the most racist Moore-Bond film either (though I would politely disagree).
Omegaman shows this kind of thing was unfortunately common.The movie Live and Let Die maybe, maybe gets a little bit of a pass because it was trying hard to capitalize on the Blaxploitation era - but doing so with a white hero and heroine was colossally tone deaf.
The book Live and Let Die, OTOH, was easily the most racist of the Bond novels and that’s including Dr. No’s yellow peril.
Brosnan did an accurate modern version of book Bond but I’m really not into that. Apparently he based his portrayal a lot on his character in The Fourth Protocol, a sociopathic KGB agent tasked with detonating a nuclear bomb in the U.K. as a false flag operation, which is certainly a take on Bond but not the one I’d want.The Brosnan era brought back the outlandish stunts and over the top action of the Moore era, but tried to keep a straight face with it. While not great spy stories, they were fun action movies. Thats sort of the trap with Bond, you need to balance the two ideas to get the best movies, IMO.
I thought Pierce did great, but it was the writing that let him down.Brosnan did an accurate modern version of book Bond but I’m really not into that. Apparently he based his portrayal a lot on his character in The Fourth Protocol, a sociopathic KGB agent tasked with detonating a nuclear bomb in the U.K. as a false flag operation, which is certainly a take on Bond but not the one I’d want.