Clint_L
Legend
This is kind of a problem that is inherent to superhero comics as a genre and carries over into the films: there are science fiction trappings but zero interest in exploring consequences; almost everything is written with short term impact in mind.I think at this point, we should just realize that the blip time will be a noodle incident and never really explored to the satisfaction that fans will want.
So the plots almost always involve these mind-blowing events that, rationally, should have enormous after effects. But then everything is pretty much back to normal for the next issue (or film).
Thus, the next film after Endgame has Peter Parker and his friends going on a European vacation as if nothing much had happened.
The result is that you train audiences to not take major plot events seriously. Which is okay if all you care about is thrills (c.f. Scorsese's point about superhero movies) or you allow character arcs to carry the story, which was a hallmark of the MCU up through Endgame. Recent MCU films have been hit or miss on that character development, IMO. Daredevil, though is all about character arcs, which is why it is so strong. And why I think Jessica Jones is a particularly good choice to bring back.