Talking power (long-winded)
Originally burbled by Sir Eldaen
Why justify when it's so very clear that one is playing the supreme system/world/whatever? Why even discuss with people who defend childish ideas? Sorry, but that makes me really p...ed off!"
OK, so this right here is where he shoots himself in the foot with such large-caliber ammo as to blow off everything beneath the neck. I don't really think there needs to be
any debate about something written by someone this elitist. So, as a disclaimer, everything below this point is basically an exercise in perspectives.
Oh, wait, one more thing.

I need to point out specifically, I think, in the names of fairness and clarity, that I don't play the way one might think from the gunk below. I just want to point out a reverse perspective on a commonly discussed argument.
So, here goes:
The idea that D&D is immature because it allows great levels of power is just absurd.
I defy Eldaen (or anyone else who combines cultural elitism and the above opinion) to call Ovid or Homer - or even Shakespeare; we'll get to that - immature.
Let's look at just one of the things in the the
Iliad, shall we? OK, here's Ajax. He's
invulnerable - with the exception of one heel. This would definitely be considered munchkin in an RPG, but I doubt that's what people see in the Iliad. The invulnerability is there to make a point, to help tell a story. (About hubris, BTW.)
The entire Iliad is
crammed full of what equates to high-level heroes. Thing is, it
doesn't matter - the plot is driven by the characters' desires and ambitions.
Then there's the Odyssey, which is an even better example because, in essence, the whole thing is a long, boat-y D&D campaign centered around this incredibly high-level hero who gets magic items, fights one-eyed giants and sorceresses, and so forth. Again, immature? Anybody?
From Shakespeare, we have two nice examples. The first one's
The Tempest. It nicely shows how the equivalent of high-level wizardry may not only be workable in a good plot, but absolutely imperative. I would certainly equate Prospero to a high-level wizard or sorceror.
The other one is a comment on Tallarn's excellent point about
Fight Club.
Hamlet.
Because when you look at the surface of it, it's actually this revenge-based action-play with fights, poisonings, suicide, ghosts, thingumbob
and his uncle - I mean, there's, what, 7 deaths on stage? 9? - but it also happens to be considered one of the deepest plays in literature (except by Tolstoy, who considered it unreadable

).
Conclusion:
One does not preclude the other. Sometimes, the one necessitates the other.
Finally, it should be noted that this is written by someone who considers
Peter Pan to be the pinnacle of world literature. Go figure.
/Feliath - much bored, also European, need sleep