Storm Raven said:
Actually, it remains an unwarranted assumption - you made an assumption about this narrative based on things you saw in other narratives, with no support in the story you were watching. He knew you would leap to the conclusion, but that doesn't make your conclusion warranted. It just makes your conclusion ill-advised.
Nah, of course it's warranted. Movie-making is movie-making, and since "gotchas" are M. Night's schtick, it's shows he knows about movie-making and the opening scene as much as anyone - just like you said, he
counted on it. (And no surprise, since it was a warranted assumption based on film-making basics... one doesn't
count on people making unwarranted assumptions - one does, however, count on people making warranted assumptions. Thus the 'dirty pool' with the opening shot.)
And thus the quality difference between
The Sixth Sense and
The Village.
How about to this end: aliens, and alien visitations, have replaced demons in mainstream culture. You can draw clear parallels between things like incubi and succubi and alien "sexual probes" and so many other elements of modern "alien lore" that I think he was playing with the comparison. If demons showed up in the modern world, why wouldn't they (as mutable supernatural creatures) appear to us, and be interpreted by us, as vile aliens from another world?
Sure - I'm not arguing with the "demon, not alien" interpretation of Signs. I think the many posts here show that it's a very valid interpretation.
I'm just saying that by showing the demonmobile, for no reason, was just foolish and pointless - something that doesn't make the movie better and in fact leads to criticisms.
(I don't know - maybe it's the difference between blatent and poorly done misdirection [Signs, The Village] and subtlety [The Sixth Sense, Unbreakable].)