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[OT] Upon watching PJ butcher another's work.

Originally posted by JRRNeiklot
My gripes: Gimli is a joke, the Jar-Jar of the film. He was my favorite character in LOTR and he was reduced to comic relief.

I agree that he's a little too yuk-yuk. He is hardly Jar-Jar, however. And he is still an orc-killing machine.

The meeting of the three hunters with the riders of Rohan. What happenned to the mention of Galadriel? Gimli and Eomer make a pact to postpone their fight until after Eomer has looked upon Galadriel. This is one of the defining moments of Gimli's character. Of course, if you're nothing more than a court jester, your character needs no defining.

As already noted, this wouldn't have made sense to include without the expanded Lothlorien gift-giving in FotR. I'm certain we'll see it in the expanded edition.

Faramir. They dropped the ball on this big time. Who the hell was that? Faramir was the most noble character in the whole damned book. Sam even said he had an air about him similar to that of Gandalf. In the movie he was more akin to Saruman. I can't believe that the noble Eowyn can ever fall for such a creep as Faramir.

I agree. This seems to be the focus of most fans' criticisms of the film. I can only think that the intent was to leave the viewer with an ambiguous picture of Faramir. I also think we'll need to see RotK before understanding the changes to the character. I think PJ knows what he's doing, and when we've see the whole story it'll make sense.

The journey to Osgilath. Why add this? It serves absolutely no purpose but to further demean Faramirs character. Then the ringwraith. Sauruman knows who has the ring now, wtf was that all about?

Sauron knows where the ring is now. That is the purpose of dragging Frodo and Sam to Osgiliath - to show the audience that Sauron thinks the ring is headed to Minas Tirith, and setting up the possibility of destroying it. I understood this at once. I don't see why people are having trouble with it.

Aragorn's fall from the cliff. Redundant. Served no purpose.

It let Aragorn ride into Helm's Deep with news of the approaching orc army. Nevertheless, I agree that it was redundant and coupld have been developed better.

The Elves at Helm's Deep. Why?

Why not? There were Elves at Helm's Deep in the books - Elladan and Elrohir and their party. The movie just increased their numbers a bit. This is by no means harmful to the story, and the only possible argument against it is the Purist's - that it wasn't exactly like the book.

Gollum. He started off fine, but at moments diressed into too much of a Jar-Jar.

Again, no. This movie has no Jar-Jar.

The sudden kung-fu-esque abilities of Arragorn, Gimli, and Legolas at Edoras. Again, should be axed.

Did you even see the same movie I did? I saw a fistfight, not a high-kicking wire-fu blowout.

The disarmament at the gates. Gimli's axe was worth a king's ransom, The Bow of Galadriel, which has yet to be mentioned, and where is Anduril? This was a great scene that was cut for no purpose except to allow time to screw over Faramir and make Gimli fall down a couple more times.

The Bow of the Galadhrim is in the FotR extended edition. Again, it would have made no sense to include it in the theatrical version of TTT. As for Anduril, we'll see it at a dramatically appropriate time in RotK.

Where was Erkenbrand?

Cut, quite sensibly, for the same reason as Glorfindel.

Why was Hama never mentioned by name, except in reference to his girly-like son?

Hama is in the movie. He's the guy that gets killed by the scout in the warg attack. Don't expect the film to spoon-feed you with little captions: "This is Hama, Door-Warden of Meduseld."

Merryand Pippin. No mention of the Entwash. No mention of the way they tricked the orcs into believing they had the "precious."

All sensibly cut for reasons of running time. None of this is vital information, nor does it directly affect the story.

The Ents had to be talked into attacking Saruman? Wtf? And they did more than tear down a dike. They redirected the course of an entire river, for christ's sake! And no Quickbeam.

I disagree that this is any kind of flaw in the movie. However, I did really want to hear the Ents' marching song. I thought this was the one song from the book that might possibly have made it into the movie. Once again, I predict we'll see more of Merry and Pippin's interaction with the Ents in the extended version.

Shadowfax. He just appears out of nowhere at Gandalf's call. Explain, please.

I fail to see how any explanation beyond that given in the film (that he's an extraordinary horse) is neccessary or desirable in the fim's context.

I'm sure there are many more discrepancies. Some of these could be disregarded as minor, but if they had cut the more stupid crap out, there would have been time for all of the proper characterization and then some.

Everything you've pointed out, even the stuff I agree with, is trivial nitpicking and doesn't have much to do with how good the film is.

Which is not to say that the film is perfect - it has some legitimate problems with dialogue and pacing, and the camerawork breaks down in at least one place. But overall, it's clearly a very good film, if not quite as good as FotR - but then, I figured this'd be the weakest of the three films, anyway. So I'm happy with the result, and plan to go see it at least one more time in the next two weeks. (After that I'll probably wait until they tack on a RotK teaser at the end.)

Tolkien must be rolling over in his grave.

No, I doubt that very much. See, Tolkien understood that in translating the books to a different medium, changes - many changes - would have to be made. His letters go into the subject in some detail.
 
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PJs real problem...

PJ had one huge obstacle to overcome - Tolkien's writing. The visualization in the book on settings is fine, characters are roughly sketched, and the dialogue is either poetry or trite.

PJ walked into a very messy playground and cleaned the place up. I've never understood the die hard love affair with Tolkien - many other fantasy writers are FAR superier at character development, dialogue, and pacing. Tolkien was the first to put his own world on paper - big deal. PJ was the first to put this truly epic setting on film - that IS a big deal.

I think the $6-800 million this film will gross worldwide (pre-DVD sales) speaks to how 'terrible' a film this is. IF PJ ripped up the book, its because it needed ripping up. My $8 was well spent, and I'll spend it a few more times just to see the fall of the Balrog/Gandalf into darkness and the Gollum personality arguments.

Ron
 

Assenpfeffer said:
Why not? There were Elves at Helm's Deep in the books - Elladan and Elrohir and their party. The movie just increased their numbers a bit. This is by no means harmful to the story, and the only possible argument against it is the Purist's - that it wasn't exactly like the book.


A minor nitpick here ... there were no elves (or other reinforcements) at Helm's Deep. The Sons of Elrond arrived with Halbarad and the rest of the Rangers of the North -- the Grey Company -- after the Battle of Helm's Deep is over, in fact, after the confrontation with Saruman and the casting out of the Palantir.


An aside: it's interesting how widely tastes vary with regard to Tolkien's writing. Personally, they are my favorite pieces of literature, in part because of Tolkien's use of language. He is sparing with his prose -- every word counts; every word packs power. He is able to convey the width and breadth of a diverse fantasy world with millenia of established history with a minimum of fluff, and tell an epic story in the process. Compared, say, to Robert Jordan, who in ten thousand pages of published work has a lot of showy scenery and self-important characters in a wanna-be epic that isn't going anywhere.

But that's just one man's opinion.:D
 

SHARK said:
I think that when Grima is next to Saruman and he is taken to the balcony to see the vast armies below, and a tear falls, is because I interpreted the tear as one of mixed awe and terror.
I'm not really saying that the fact that he cried a bit is what made the scene boneheaded. The fact that he doesn't know there's an army until he just freaking walks a few feet to the window and looks out is what makes it boneheaded.
 

Olgar Shiverstone said:
A minor nitpick here ... there were no elves (or other reinforcements) at Helm's Deep. The Sons of Elrond arrived with Halbarad and the rest of the Rangers of the North -- the Grey Company -- after the Battle of Helm's Deep is over, in fact, after the confrontation with Saruman and the casting out of the Palantir.

Fah... you're right, of course. Mental snafu.
 

My point was, and is, that you most of your complaints are disagreements with Jackson's vision of the plot, characters and story. You give few examples of his failure to produce a good movie, and mostly only examples of anger at his choices. There's nothing wrong with that, but it appears that you are equating his choices for adaption (good and bad) with his skill as a filmmaker, which are not the same thing. Especially given the overwhelmingly positive critical response the film is getting.


I'll take you up on that one. There are many areas in which TTT is not a great movie to say the least.

1- Pacing : When I saw FotR, I felt is was very much a patchwork of scenes with little flow between them. It was one of my main gripes about FotR. I'm told the extended version cures some of these issues, but I haven't seen it yet. However, I felt that beyond the first 15 mn of the movie (which were great, up to Theoden's hall) the patchwork feeling came back... with a vengeance ! The film jumps from one scene to the next, from one set of characters to the next, and is therefore compelled to include many more cliffhangers than are healthy in a movie. My guess is that's the reason we got the silly Aragorn falls down a cliff scene, or, in fact, the whole worg scene which was just an excuse for more combat and didn't contribute anything to the plot. Maybe the "extended" TTT will solve some of these issues too, but how long will that be ??? ;)

2- Characterization : Some of the characters were portrayed well, but on the whole, I feel Gimli and Legolas are there only for comic relief, Merry and Pippin are inexistent and Frodo is weak which contradicts the plot strongly (he was entrusted the ring partly because Gandalf believed him to be a lot stronger than he seemed). I'm not comparing book and movie here, it's just a movie point of view. That's why I'm not mentioning Faramir. I don't have any gripes with the character per se, even though I felt the book version of him was richer and more interesting.

3- Cheap Hollywoodization : A lot of the scenes (sometimes short, sometimes long) serve no purpose but to be spectacular. To me this has two main drawbacks : a. A lot of these scenes rely on special effects that, no matter how you slice it, are not as convincing as the real stuff. All those wide shots with lots of people moving systematically broke my suspension of disbelief because I could so obviously see that the motion was unnatural... b. A lot of the scenes are way over the top which really breaks suspension of disbelief again. Four horses charging through 5000 orcs ? Hello ? Legolas' ridiculous antics serve the same silly purpose and were also very bad IMO...

That being said, unlike Celebrim, there are many things I liked about the movie. Eowyn is probably number one. She was a great character (unlike Arwen), wonderfully played and altogether great. In fact, I felt Eomer was very good too, as was Grima. The sets were, on the whole, wonderful, just like they were in FotR. Some scenes struck me as very nice. Sam's speech at the end was pretty good, Gollum was great and impressive, both visually and character wise.

At the end of the day, I'm seeing here the same phenomenon that I saw when FotR came out, the 'greatest movie of all-time' syndrome. TTT is not an exceptional movie in the perspective of the history of cinema. FotR wasn't either. Is it the greatest fantasy movie ever ? Probably, although that could be debated. But that's not saying much...

Of well, that was my 0.2 cEUR
 

Re: PJs real problem...

Sakzilla said:
PJ walked into a very messy playground and cleaned the place up. I've never understood the die hard love affair with Tolkien - many other fantasy writers are FAR superier at character development, dialogue, and pacing. Tolkien was the first to put his own world on paper - big deal. PJ was the first to put this truly epic setting on film - that IS a big deal.
Oh yeah? Name three! :) I have yet to see a character as complex and interesting as Gollum in any genre, much less fantasy. The dialogue is very skillfully crafted not, as you seem to want, to be realistic, but to be mythic. To be epic. Tolkien wasn't trying to write a "novel" he was trying to write an old-fashioned epic. He did things like the dialogue, the pacing, etc. on purpose and I've never seen such masterful use of the English language. Sure, it makes for poor writing in a traditional novel sense, but since he wasn't writing a traditional novel, I fail to see why that is even brought up. Do you complain about the dialogue in Beowulf or the Elder Edda? Do you complain about the characterizations and pacing of Cu Chullain or the Iliad?

Also, a nitpick: Hama is not only in the movie, he is named in the movie. If you're going to complain about the movie because you're too cheesed off to pay attention then don't expect much sympathy.
 

Re: Re: PJs real problem...

Joshua Dyal said:
I have yet to see a character as complex and interesting as Gollum in any genre, much less fantasy.

Hamlet??

Humbert Humbert??

Jay Gatsby??

Quentin Compson??

or even...

Paul Atreides??

Ender Wiggan??

I mean props to Gollum and all...
 

Originally posted by Sakzilla:
I've never understood the die hard love affair with Tolkien - many other fantasy writers are FAR superier at character development, dialogue, and pacing. Tolkien was the first to put his own world on paper - big deal.

The big deal about Tolkien, in contrast to ANY other writer of fantasy, is the depth he has created in his stories. No other author to date has creted a world that breathes such a sense of historical realism as Middle-Earth.
More interesting characters and plots have probably been written. But not one fantasy setting, be it from litterature or somewhere else, can stand up to the comparison with M-E.
The amount of background (mythology, history, language (history of),...) Tolkien has created to make this world come alive is a very big deal.
 

So here is my summary of the movie. Sam is standing in Osgiliath where Faramir has brought them because he is consumed with lust for the ring. Sam says to Frodo, "By all accounts, we shouldn't be here. But we are."

I couldn't agree more.

See, I don't agree that Faramir is consumed with lust for the ring, at least in the same way that his brother was, anyway.

Faramir looked at the ring as a weapon of war to be used against the shadow, not as a means of personal power. He could have taken the ring from Frodo by force at any time, but instead of doing so, he sends them away to his father, for him to decide what to do with it. I think it preserves the original Faramir from the book, and looking at it in that light, I like the character more. It is more true to the Faramir of the books, than the current interpretation that I see roaming the web. It also makes Faramir's impending problems in RotK more accessible for the masses who won't ever crack open a book.
 

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