jonesy
A Wicked Kendragon
For people who don't know Jenny Poussin, that's actually quite a lot of clothes she's wearing there.
For people who don't know Jenny Poussin, that's actually quite a lot of clothes she's wearing there.
Redgar, IIRC was intentionally of indistinct race--a compromise between the designers--who were pushing very hard for a set of racially-and-gender-diverse iconics, and the marketing team who wanted a big strong white dude to put on the cover.One of the reasons that I liked 3x was that the art depicted more than just white male (humans) as adventurers. Granted I still have no idea what race Redgar was but he wasn't the homogenous depiction of the strapping white guy with sword and armor or staff.
See that's the thing. There's such a thing as beefcake. But the bare chested dudes in the art? They're not beefcake. There's a world of difference between, for example, the guy on the cover of Grim Tales and the guy on the cover of a Harlequin Romance.I'm sure that there are gay guys who are looking at the art and liking it the same way there are lesbians who are looking at the cheesecake and liking it.
Mid 20th century? The "K" in J.K. Rowling is short for "I made up these initials so my potential readers won't realize I'm a woman".But, let's not ignore the issue either and sweep it under the carpet. Our chosen genre - Speculative Fiction - has been a white, male dominated genre for the better part of its history. To the point where female writers well into the mid-20th century had to write under male names.
[Seoni's] appearance does not represent anything like a universal ideal of beauty. Wittingly or no, she expresses cultural values that transmit a powerful thin ideal, exoticism, and fetishism. If fetishism is defined as the opposite of utility, Seoni's dress embodies it. It's unlikely her dress could keep her breasts in, much less warm or protected. She would have trouble walking down a Hollywood red carpent in that without showing some nip.
I'm not denigrating fetishism, itself, either. Medievalism is a form of fetishism. I can deal with weapon fetishisim, elf fetishism, leather, boobs, whatever. But in Seoni, I see fetishism for weakness, vulnerability, and objectivism. In isolation, I don't have a problem for that, but in a fantasy character, supposedly not in a highly sexualized context, it is impossible to ignore the larger context. She's not a bad creation, she is simply a case study in a larger phenomenon.
And this is exactly the kind of post that demonstrates how women have difficulty being taken seriously as something other than bedroom furniture.
Isn't there a middle road to take though? Between, "All Your Pics are Belong to Us" and "Suck it up Buttercup!"? I mean, I think I can look at an image like this one:
(...snip pic...)
and say that, "ayup, that's pretty exploitive."
Actually, that's not entirely true. She didn't have any problem lining up publishing writing as Joane Rowling, but Bloomburg, her publisher, thought that the percieved target audience, i.e., young boys, might be leery of reading a book written by a woman.Mid 20th century? The "K" in J.K. Rowling is short for "I made up these initials so my potential readers won't realize I'm a woman".
And this is exactly the kind of post that demonstrates how people have difficulty being taken seriously as something other than furniture.
Two out of three ain't bad...
High heals are not meant for outdoor adventuring...
Oh right.
Actually, that's not entirely true. She didn't have any problem lining up publishing writing as Joane Rowling, but Bloomburg, her publisher, thought that the percieved target audience, i.e., young boys, might be leery of reading a book written by a woman.
So actually your example doesn't really prove what you think it proves at all.