D&D nostalgia, Greatest music year this century

Cadence

Legend
Supporter
LOL!

Well, it has more to do about when you were born. You are young and know nothing. Everyting seems great. Talk to kids who were teens when grunge was around and you'll have a very different list. To them 1984 musics sounds fake and manufactured. They are not entirely wrong. I've never stopped hearing good music after 1984 up until today. ;-)


I'm doubly lucky right now. A lot of the local stores are playing music from way back when I was in school (mid 70s to early 90s). And when they move to newer and newer music Sirius-XM still has channels by decade. :) (And I do listen to the newer ones sometimes. I think my three favorite songs, if forced to pick, are 1979, 1987, and 2005 -- oh poop, 2005 isn't particularly new anymore!!!)
 

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embee

Lawyer by day. Rules lawyer by night.
The 80s formed my pop sensibilities. Which in turn, formed my personality.

My music came from the radio (Q107, which, when name-checked in St. Elmo's Fire, was THE Top-40 station to listen to in DC and now is a Christian radio syndicate) or, as the 80s wore on, from MTV.

If I wasn't in the rec room playing D&D or in the family room playing video games on the Commodore 64, I was riding my dirt bike to the creek or playing pickup football in the vacant field down the way.

A latchkey kid from a broken home, when my brother and I would visit my dad on weekends, if he had his girlfriend over, he'd hand us a roll of quarters and we'd go down to the arcade called Warp Factor 5. I remember both the sit-down cabinet for Star Wars and standing on milk crates to be able to play BattleZone.

My favorite movies either had light sabers, Brat Packers, or children of divorced parents - all stories told through the eyes of children.

And the common theme to all of them was that they took place in a world largely devoid of parents: E.T., The Goonies, Stand By Me, Flight of the Navigator, The Lost Boys, The Breakfast Club, Ferris Bueller's Day Off.

Ferris Bueller, Elliot and Gertie, Gordie and Chris Chambers, Mikey and Mouth - all of their antagonists were the grown-ups. Brand's big moment in Goonies is when he chooses childhood. The big bad in The Lost Boys isn't David (Kiefer Sutherland) but Max, the grown-up. Even in Star Wars, Luke's biggest enemy is
his own father
.

The only adults in Stand By Me are antagonists: parents and the junkyard owner. The police (adults) couldn't be bothered to find Ray Brower's body. Gordie's parents are emotionally cold to him. Teddy's father physically abuses him. Chris' father is the reason he's expected to grow up to be a failure (and his teacher betrays him). The faceless train is a mortal threat to children - it killed Ray Brower and it tries to kill the kids. SImilarly, parents are the enemy in The Breakfast Club. They are either distant, incompetent, overbearing, or abusive.

Gen-X nostalgia is, to my thinking, uniquely nostalgic. Nostalgic in the most literal sense of the word - the pain of home. It hearkens back to a time filled with economic uncertainty, existential dread at the height of the Cold War, and shifting social mores as divorce became more prevalent, second wave feminism crested, and societal panics took center stage.

There was generational war waged on all levels. The common refrain was that adults (and adulthood by extension) were the enemy. MTV's tagline for years was "I want my MTV" - the idea being that kids should demand that parents call up the burgeoning cable companies to demand MTV be carried. "Girls Just Wanna Have Fun", a truly great video, begins with Cyndi Lauper fighting with her dad, played by Captain Lou Albano. Family Ties central premise was the tension between Baby Boomer Steven and Elise and their son Alex, who had rebelled by becoming a Reaganite. Congress, the ultimate representation of "The Man," was holding hearings on things like heavy metal music, video games, and (yes) Dungeons & Dragons.
 

Rabulias

the Incomparably Shrewd and Clever
The Thompson Twins self-identified as a trio at that time (the musical version of Blake's 7).
The Thompson Twins were not named for the band's members. They went through a variety of lineups in their early years from 4 people, to 6, to 7, before settling on a trio in 1982. They only became a true duo in 1986. The band was named for Thomson and Thompson, the bumbling detectives from the Tintin stories.

dupondt[1].jpg

Daryl Hall and John Oates will only go by that naming- they refuse to be identified as "Hall & Oates."
Talk about the Mandela effect! I could have sworn they had "Hall & Oates" on some of their albums but this is totally true!
 

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