Mark
CreativeMountainGames.com
Umbran said:There's a basic maxim of fiction, more visible today in movies and TV, but also present in written forms - if it isn't there for a purpose, leave it out. You only have so many minutes of screen time, only so many words, you've got to make them count. If you aren't planning to do something specific with it, a major change from audience expectation is merely excess verbiage that serves to confuse the audience. Any time you deviate from audience expectation, the audience will ask why. If you don't have a good answer, you are distracting them from the real meat of your story.
Bye-bye, Bombadil!

Umbran said:The DS9 same-sex kiss makes a good example. Even though it happened to be an expression of emotions relevant to the story, lots of folks came down on them for needlessly putting in a controversial scene.
Something is only a part of a story, if a story is written to a point where something can be made a part. The writers weren't jotting down what was happening somewhere in a real-life as a chronicle, they wrote the story and moved it in that direction intentionally and, assumbly, with purpose. One can only believe that it was something they had in mind when moving the story in that direction.
-------
A large part of the problem with the lack of stories about women (and women in power, whether benign or malevolent) boils down to who controls the purse strings that allow stories of any kind to be told. Perhaps until recently (and I am not sure of the ratio nor if it has finally shifted) even the majority of female authors wrote/write primarily with a male audience in mind out of a necessity to find a paying outlet for their talent. I'm not saying anything revolutionary or profound here, but it is the crux of the problem stated in the first post if examined in a broader spectrum.
I'd have to also say that I do not believe society's patriarchy has become more benign, merely less overt in its malevolence.