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But when the first Kelvin movie came out, the franchise ... Star Trek ... it was pretty moribund. The first movie is Abrams at his best. LENS FLARES. ACTION. LENS FLARES. COMEDY. LENS FLARES. FAN SERVICE. LENS FLARES.

The lens flare doesn't bother me, as that is just a stylistic choice. But I think Abram's problem, for me at least, is he clearly doesn't enjoy what I enjoy about star trek and I think he does way too much cocaine while writing or something (I did like the first film in the new trilogy, but it isn't anywhere near as good as the films in the original trilogy and does a lo too stuff that just feels like it needs to be in there 'because').
 

The lens flare doesn't bother me, as that is just a stylistic choice. But I think Abram's problem, for me at least, is he clearly doesn't enjoy what I enjoy about star trek and I think he does way too much cocaine while writing or something (I did like the first film in the new trilogy, but it isn't anywhere near as good as the films in the original trilogy and does a lo too stuff that just feels like it needs to be in there 'because').
lol, yeah that makes sense of his plot moving at break neck speed. I mean, if you have to use the bathroom during a JJ ST film, Kirk will gain command, lose it, and regain command in the 1-3 min you are gone.
 


lol, yeah that makes sense of his plot moving at break neck speed. I mean, if you have to use the bathroom during a JJ ST film, Kirk will gain command, lose it, and regain command in the 1-3 min you are gone.
So you've missed nothing then.

They doubled (tripled?) down with the last one, directed by Mr. Faster and Furiouser.
 


The worst offense that films commit when adapting long form storytelling (whether television, comics, or novels) is cutting out all the "quiet parts" because they are boring. or, worse, turning the quiet parts into theme park rides ::cough::TheHobbit::cough:: Quiet moments in action movies are as important as safe scenes in horror movies: if you do not release the tension, you undermine the action (or horror).
 


The worst offense that films commit when adapting long form storytelling (whether television, comics, or novels) is cutting out all the "quiet parts" because they are boring. or, worse, turning the quiet parts into theme park rides ::cough::TheHobbit::cough:: Quiet moments in action movies are as important as safe scenes in horror movies: if you do not release the tension, you undermine the action (or horror).
My kids watched Jaws for the first time over the holiday weekend and it was instructive to see how the slow 1970s pacing actually helped ratchet up the tension for them.
 

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