Whizbang Dustyboots
Gnometown Hero
I do roll my eyes at the pronouncements of academics about my professional field, which come off as hopelessly naive and out of touch.Get a few more degrees and you’ll stop caring.
I do roll my eyes at the pronouncements of academics about my professional field, which come off as hopelessly naive and out of touch.Get a few more degrees and you’ll stop caring.
I read the first one of this series. It's extremely popular, but I think you probably need to be into military fiction (my dad's jam, for one). For me, a lot of the people in uniforms being official at each other and the discussions of Napoleonic war got to be a bit much. But given how many books are in the series, I'm clearly a minority opinion.Haven't read her Temeraire series - but the "flintlock fantasy" setting of dragons in Napoleonic times seems like it could be a great RPG setting...
I have very much enjoyed both the Hornblower and the Aubrey/Maturin series, so this may be my jam...I read the first one of this series. It's extremely popular, but I think you probably need to be into military fiction (my dad's jam, for one). For me, a lot of the people in uniforms being official at each other and the discussions of Napoleonic war got to be a bit much. But given how many books are in the series, I'm clearly a minority opinion.
I tried reading the Hornblower series. I started with Mr Midshipman. After the pages of describing the card game whist being played and the flat and dull duel I put the book down. Does it pick up from there? Is it a slow-burn series?I have very much enjoyed both the Hornblower and the Aubrey/Maturin series, so this may be my jam...
I really enjoyed Art of War, even if the language is archaic. I tried reading the Book of Five Rings but didn't get far - too mystical for my 20-year-ago self.Having finished this, I've moved on to The Book of Five Rings, by Miyamoto Musashi. My copy's been on my shelf for twenty-odd years, so it seems like time to sit down and actually read it. Interestingly, the copy I have also includes Yagyu Munenori's A Hereditary Book on the Art of War, so I'm getting a twofer there.
I read a collection of Robert Jordan Conan stories. They were well written, but sexist in a creepy way. There was a faux action girl character in them, seemingly a heroic character but in each and every story she was reduced to a victim of various kinds of sexual assault. I find this kind of sexism more objectionable than just a scream queen to be rescued.The sexism is mostly confined to what’s typical of the genre, screaming damsels in distress being rescued by the mighty-thewed protagonist. Though there were 1-2 more fully realized female characters.
I guess Hornblower is an acquired taste. I got some of the books in the middle of the series as present as a kid (translated to my native Swedish). Starting in the middle was probably a good thing - much later the Midshipman bored me too. Maybe they even profited from the translation, as Forester's language in English is quite dry. The stories are engrossing, but it could profit from some modern page count padding, adding personality and atmosphere. And yes, the books do get better, the ones he wrote last are the best. Actually, the parts of these books I enjoy the most are the opening chapters, before Hornblower gets on board his ship, with its exposés of 19C England. Then again, I have read and enjoyed Jane Austen, so tales of Old (upper class) England is something I like.I tried reading the Hornblower series. I started with Mr Midshipman. After the pages of describing the card game whist being played and the flat and dull duel I put the book down. Does it pick up from there? Is it a slow-burn series?
Having finished these, I'm now pulling another book of my shelf which has been waiting for me to read it: the Rubaiyat of Omar Khayyam. Of course, this is a reproduction of Edward FitzGerald's first edition translation, so it's wildly inaccurate to what was actually written in the twelfth century, but I suppose after a hundred and fifty years this version has some notability in and of itself.Having finished this, I've moved on to The Book of Five Rings, by Miyamoto Musashi. My copy's been on my shelf for twenty-odd years, so it seems like time to sit down and actually read it. Interestingly, the copy I have also includes Yagyu Munenori's A Hereditary Book on the Art of War, so I'm getting a twofer there.
While I usually prefer to power through one book at a time, a recent trip to the library (which has a section with a permanent sale of books that people have donated or which they've elected to cull from their stacks) resulted in my picking up a copy of Paul Krugman's Arguing with Zombies: Economics, Politics, and the Fight for a Better Future.Having finished these, I'm now pulling another book of my shelf which has been waiting for me to read it: the Rubaiyat of Omar Khayyam. Of course, this is a reproduction of Edward FitzGerald's first edition translation, so it's wildly inaccurate to what was actually written in the twelfth century, but I suppose after a hundred and fifty years this version has some notability in and of itself.
I'm a little over halfway through The Broken Sword now, and I'd say you're correct! It's pretty amazing!Three Hearts is definitely his most influential work on the creation of D&D, but for my money The Broken Sword is the better book.
I'm a little over halfway through The Broken Sword now, and I'd say you're correct! It's pretty amazing!
I might be the wrong person to ask since I read them over 25 years ago. Tbh, not sure i would like them now - my tastes (and patience!) have changed considerably since thenI tried reading the Hornblower series. I started with Mr Midshipman. After the pages of describing the card game whist being played and the flat and dull duel I put the book down. Does it pick up from there? Is it a slow-burn series?
It’s certainly gripping. I’m reading the revised version, and I love Anderson’s foreword where he refers to his younger self as a different person and says he himself would not “write anything so headlong, so prolix, and so unrelievedly savage.”It's a visceral read that lives on the border between folktales, Norse sagas, and fantasy literature. Poul Anderson has plenty of great works, but I'd certainly say that this is my favorite.
My suggestion would be to read them in publication order, rather than the chronological order of the Admiral's life.I tried reading the Hornblower series. I started with Mr Midshipman. After the pages of describing the card game whist being played and the flat and dull duel I put the book down. Does it pick up from there? Is it a slow-burn series?
Having finished this, I was going to move on to a recently-purchased copy of The Descent of Ishtar, but for some reason found myself pulling my unread copy of Lewis Carroll in Numberland off the shelf.Having finished these, I'm now pulling another book of my shelf which has been waiting for me to read it: the Rubaiyat of Omar Khayyam. Of course, this is a reproduction of Edward FitzGerald's first edition translation, so it's wildly inaccurate to what was actually written in the twelfth century, but I suppose after a hundred and fifty years this version has some notability in and of itself.
It's funny, Michael Moorcock intensely prefers the original version of The Broken Sword.It’s certainly gripping. I’m reading the revised version, and I love Anderson’s foreword where he refers to his younger self as a different person and says he himself would not “write anything so headlong, so prolix, and so unrelievedly savage.”