Paul Farquhar
Legend
Its episodic structure is more suitable to TV. I would think a lot of episodes would end up being cut in a movie.A new Odyssey film definitely sounds good to me
Will Nolan lean into or play down the fantasy elements?
Its episodic structure is more suitable to TV. I would think a lot of episodes would end up being cut in a movie.A new Odyssey film definitely sounds good to me
The thing is, there seems to already be a trend towards cutting movies into multiple parts (The Hobbit, Dune, Wicked, etc)Its episodic structure is more suitable to TV. I would think a lot of episodes would end up being cut in a movie.
It's certainly a possible approach, and would leave room to deal with Odysseus's role in the Trojan war, and scenes with Penelope before he left. If you did three parts, part three could focus on Telemacus searching for his dad.The thing is, there seems to already be a trend towards cutting movies into multiple parts (The Hobbit, Dune, Wicked, etc)
But that's the standard I'm judging by! I.e. as compared to US action movies!Yeah, and popular U.S. action movies haven't been openly fascist-leaning since the 80's
That and flirtations with fascism in the US are always very weird because US fascism is also paradoxically skeptical of the "State" as an entity, so US action movie fascism is more about lone white man vigilantes with gun(s) shooting mostly minority petty criminals while spouting enough white American cultural piccadollas (like, for instance, what's appropriate or not to put on hot dogs) to remind audiences that in a "perfect" world the "State" would be handling things this way.But that's the standard I'm judging by! I.e. as compared to US action movies!
Even by the standards of US action movies, Bollywood (very much including both India and Pakistan here) action movies tend to have a level of distinct fascist sensibility that I don't think most US audiences are going to vibe with, that just comes across as nastiness and cruelty, especially because US audiences are much more repulsed by fascism when non-white non-Americans are engaging in it.
You sometimes see this in Japanese fiction too - there's a comfortable-ness with outright jackbooted fascism that the US does not yet have (though let's check again in 6 months at the current rate jesus). Japan seems less comfortable with that now than 20 years ago though (with exceptions, c.f. Attack on Titan - not actually-fascist but far, far too keen on flirting with and winking at fascist stuff even though the ultimate message is anti-fascist, anti-colonialist, anti-imperialist, it takes four+ seasons before you really even begin to get there).
Yeah whereas Japanese fascist flirtation tends to weirdly glorify the state and often features what are unequivocally very heavily armed death squads fighting (basically just "exterminating" in many cases) under-armed and brave-but-beleaguered "terrorists" (who are generally living under regimes not even subject to democratic change!). And there's often a bit of moral ambiguity, but ultimately we're meant to side with the death squads, whether it's Jin Roh or Appleseed or whatever.That and flirtations with fascism in the US is always very weird because US fascism is also paradoxically skeptical of the "State" as an entity, so US action movie fascism is more about lone white man vigilantes with gun(s) shooting mostly minority petty criminals while spouting enough white American cultural piccadollas (like, for instance, what's appropriate or not to put on hot dogs) to remind audiences that in a "perfect" world the "State" would be handling things this way.
I mean, that or military fetishism.
How about Odysseus…IN SPAAAAAAAAAACE!It's certainly a possible approach, and would leave room to deal with Odysseus's role in the Trojan war, and scenes with Penelope before he left. If you did three parts, part three could focus on Telemacus searching for his dad.
I used to watch that. It was quite good.How about Odysseus…IN SPAAAAAAAAAACE!