Ryujin
Legend
Right about the time that TNG ended and those writers were freed-up to move to DS9, if memory serves.Neither would DS9. It found its stride earlier than most Star Trek shows, but not its audience.
Right about the time that TNG ended and those writers were freed-up to move to DS9, if memory serves.Neither would DS9. It found its stride earlier than most Star Trek shows, but not its audience.
Right about the time that TNG ended and those writers were freed-up to move to DS9, if memory serves.
DS9 had some highly critical reactions both before and during its first season from fans who hated the idea of a fixed space station instead of a starship. Even back in the day they were vocal, on social media they'd have been drowning out conversations.Didn't DS9 rate reasonably alright at the time just not as good as TNG which hot its stride later?
I think in thus scenario TNG gets canceled which probably means DS9 doesn't get made or if it does it doesn't benefit from TNGs experiences.
Bit in some weird alt reality would it's ratings early on kept it on the air? TNG would have. Even savaged but DS9 has a way better season 1.
No. I think you're confusing the "finding its stride" with the main plot arc starting. DS9 found its stride either late in S1 or early in S2, depending, which is before TNG finished.Right about the time that TNG ended and those writers were freed-up to move to DS9, if memory serves.
That's a really off assumption.DS9 had some highly critical reactions both before and during its first season from fans who hated the idea of a fixed space station instead of a starship. Even back in the day they were vocal, on social media they'd have been drowning out conversations.
The one that immediately occurs to me is Ron Moore, though that was as supervising producer.No. I think you're confusing the "finding its stride" with the main plot arc starting. DS9 found its stride either late in S1 or early in S2, depending, which is before TNG finished.
The writing quality doesn't notably increase from S2 to S3, either, I would suggest. Also AFAIK, there was no exodus of writers from TNG to DS9, though perhaps you could say who if there was.
And the Dominion War arc was planned before TNG finished too (and started to be implemented).
DS9 had some highly critical reactions both before and during its first season from fans who hated the idea of a fixed space station instead of a starship. Even back in the day they were vocal, on social media they'd have been drowning out conversations.
Yeah, but in this little thought experiment it's about whether those ratings would have been impacted if the more outspoken members of fandom had an easier place to speak out.Yeah but ultimately it comes down to ratings. Did DS9 rate OK back in tge day vs season 1 TNG? DS9 expectations were lower as well vs the main show.
He was a major writer for TNG, and he did eventually write a bunch of DS9 stuff, but it was a lot later than that transition point. What is more notable is that when he joined VOY he kind of "bounced off" it because of the writing-room culture. Yet even then, VOY was improving.The one that immediately occurs to me is Ron Moore, though that was as supervising producer.
Ronald D. Moore
I can't shake the feeling that the Riker snap at Picard, was the public excuse to get him off the bridge to find the saboteur.I think maybe the writers don't understand command: Shaw blames others for his mistakes, and I thought this was a way to make him look lesser-than; but now Riker blames Picard for his own decision (which Picard recommended). Maybe there's a story thread about taking responsibility, and this theme will become stronger as the season progresses.
They implied it couldn't be done, but it seems like something any hero engineer in Star Trek history jury-rig in a matter of seconds. Also are holodecks also replicators now? I don't remember it ever being established that food and drink in holodecks work, but many of the extended holodeck scenarios of various Treks make more sense if they do.I'm actually surprised that no one suggested transferring power from the holo deck to get that extra instead of shunting it from life support.
Well, episode 4 maintains the streak of the show being much better and more satisfying than prior seasons.
They're really stretching to get the most use out of that Ten Forward set possible. It was one thing using it in episode 3, but they use it in two more ways in episode 4, one of which is so implausible and unnecessary that they had to give an awkward explanation, and it still makes no real sense. I'm just going to forgive it as some sort of cost cutting measure or something where the payoff was clearer in some phase of the script.
I think it was mainly to have a tense and dramatic end to the episode.I think maybe the writers don't understand command: Shaw blames others for his mistakes, and I thought this was a way to make him look lesser-than; but now Riker blames Picard for his own decision (which Picard recommended). Maybe there's a story thread about taking responsibility, and this theme will become stronger as the season progresses.
Eh. A lot of Starfleet officer died that day and a lot lost friends and family. And it fits with Shaw's antagonistic relationship with Seven as well.
Behind every incompetent Starfleet captain is an incompetent Starfleet admiral.Presumably Starfleet is 100% aware of Shaw's "issues" (his starfleet psych profile was even referenced). Putting Seven as his first officer is an "interesting" choice.
It's actually canonical, though still awkward. In Voyager they establish that the holodecks are on a separate power grid than the rest of the ship, and there's absolutely, positively no way that power can be transferred from them to anywhere else. Thus, regardless of how resource-starved Voyager gets in the Delta quadrant, they can still have holodeck episodes.Well, episode 4 maintains the streak of the show being much better and more satisfying than prior seasons.
They're really stretching to get the most use out of that Ten Forward set possible. It was one thing using it in episode 3, but they use it in two more ways in episode 4, one of which is so implausible and unnecessary that they had to give an awkward explanation, and it still makes no real sense. I'm just going to forgive it as some sort of cost cutting measure or something where the payoff was clearer in some phase of the script.