Yeah, Andor is just very different. Tony Gilroy basically said, "they're going to let me make a prequel to Rogue One so it's going to be an extremely engaging person-level examination of how fascists come to power and how that changes everyone and everything, and how there are as many paths to resistance as there are people" which is a hell of a reaction. Andor is probably therefore the best fictional examination we have of how we go from apparently business as usual to all-out fascism, it barely needs the Star Wars veneer. It stands proudly alongside the classics of the genre - The Iron Heel, It Can't Happen Here, 1984, The Man in the High Castle, The Handmaid's Tale, Julia - and is incredibly relevant in these troubled times.
I must commend Disney to some degree for letting creators play around with the premises they're given, especially in the TV series. It hasn't always worked out - heck, it usually doesn't work out - but we get gems like WandaVision and Andor. And even flawed gems like Eternals, which I really liked but I can see why many other people didn't.
Lanterns feels like a similar idea - let the creator go with an off the wall idea that they really like and see where it goes - but WB/DC aren't really as far along that road as Disney is, so we'll see how it gets implemented.