Ravellion states
Well, from a literary viewpoint, the entire genre is worthless. Role reversal happened a lot better in feminist literature in the early 20th century, and the late 20th pulp sci fi really shouldn't be looked upon as a tradition.
How do you suppose new genres become traditions? Furthermore, how can you state that space opera is a valueless genre? Surely, its value cannot simply be subjectively declared by you on the basis of its supposed literary merits. This genre has value for the thousands of people who read it.
I consider your argument to be a non argument; you seem to imply literary importance to pulp sci fi while it hardly has any.
It seems absurd to me that on a site filled with sci-fi and fantasy readers that one would dare make the sweeping declaration that an entire genre or subgenre is devoid of value based on your subjective determination of its "literary merits."
Hence, they might as well keep it in its quaint mysogynistic form: at least that has a specific and well established target demographic
Wait a minute!? Didn't you just declare the genre utterly valueless based on some kind of subjective standard for determining if it is "literary?" Doesn't such a rationale conflict with your justification for it continuing to exist in its original, allegedly unspoiled form on the basis of popular appeal? If you're going to be a snob, at least choose whether you are a popularity snob or an elitist snob; you cannot have it both ways.
(though since last three decaded of th 20th century pop culture (NOT the literary world) has a trend to empowering women in physical heroic roles. The literary world will have forgotten this non issue in 50 years at most.
So how many levels of the Literary Augur prestige class do you have!? Surely, the special ability conferred at level 2 makes you understand that there is no clear boundary between the popular and the literary. Are they not part of a continuum with no clear boundary lines?
To recap, you have argued:
1. the space opera genre is, by definition, non-literary
2. genres that are non-literary do not "deserve" to be the subject of satire, inversion or any other literary tactic
3. what happens in non-literary genres and subgenres of fiction should be exclusively determined by (a) the anticipated popularity of proposed innovations with the whole reading community and not any subset thereof nor any potential new readers; and (b) the anticipated future popularity of proposed innovations two generations hence
This way of thinking about fiction and literature is unhelpful, based on an incoherent intellectual hierarchy and premised on the existence of firm, objectively perceptible category boundaries which clearly are not there. Furthermore, in order to make your argument, you set yourself up as an arbiter of the imaginary line between popular fiction and literature and an accurate predictor of the values of society in the mid 21st century.