D&D 5E Should the next edition of D&D promote more equality?

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Key to understanding D&D is to remember: 1) it's fantasy 2) it's not representing the user base and 3) it's resilient because of these. If the aim is to kill D&D, by all means, change it's artwork to coloured dwarves, oriental halflings and get some elves in wheel chairs. For D&D to survive it needs to stay out of these highly political issues and just be what it set out to be: a fantasy world toolkit that is a break from reality.

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Dude, you need some exposure to a thesaurus.

In the meantime, adding my own matches and lighter fluid to your strawman: nobody is talking about purging Caucasians. We are talking about including other ethnicities. Its not a zero-sum equation: while they CAN replace some of the Caucasians with others, they could also increase the overall amount of art.

(This would be REALLY cool in products that are designed to present fantasy cultures that are based on non-Caucasian RW cultures.)
 

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Doesn't occur to anyone that bewbs on a bird is kind of silly, anyhow? Makes about as much sense as having them on a reptile. Hello, not mammals, ergo no mammary glands.

Still, depictions of a harpy or a succubus are not actually in the 'stupid' category. Assuming you can get past the whole avian/mammalian biology thing by imputing it to magic, anyhow. If it makes actual sense for them to be showing boobs as opposed to it being incredibly foolish for them to be doing so, at least you're not demeaning the character being depicted by showing her as stupid.

In the case of classic monsters, the presence of mammalian secondary sexual characteristics- the ones that got smileyfaced- are appropriate because that keeps them grounded in their original mythological origins. They were actually part human in some way, probably due to the way the gods made them or some such.

For more modern creations, especially those which are purely the creations of game designers, there is no such strong argument.
 


In a word, yes.

For instance, many philosophers (Aquinas, Singer, Pogge, Tasioulas, Shue, just to name some of the better known) think there is a positive duty to supply food to the starving, and also think there is a negative duty not to rob people. Those duties don't have to come into conflict: Aquinas, for instance, said that when a poor person steals from a rich person it is not really robbery because the rich person doesn't really have ownership rights in the thing taken; while Pogge puts forward a model of taxation and property rights in which the needs of the starving can be satisfied without anyone having to be robbed.

You seem to be constructing a hypothetical here for the express purpose of showing why it's not relevant. Presuming that you're attempting to showcase an instance where a positive duty should overcome a negative duty, then I disagree completely.

In regards to the scenario you described, it contains a basic error in that you've inverted a negative duty (e.g. don't let someone starve to death if you can feed them) into a positive duty (e.g. feed the people around you who are hungry), in order to create a conflict.

Now, if you interpret the scenario that way, that's entirely up to you: deontological ethics is not inherently a form of moral absolutism for exactly this reason - people can choose where they rank things on the scale of duties. However, doing so in the manner you described results in having to look elsewhere (as you noted) to resolve the issue you brought up. Far easier, I think, to simply re-order that particular duty.

Similarly, if there were any such duty as you describe it would not colfict with a duty not to suppres, unless I (or someone else) were to enforce that duty by suppressing. Which, to date, no one in this thread has advocated. Exhortation isn't coercion.

Leaving aside the fact that I've said multiple times that personal opinions aren't a moral issue in-and-of themselves, I should point out that you didn't say how - presuming you did find a positive duty to have art showcase empowering images (be it of women or any other group), and a negative duty not to suppress creative expression - could be resolved. This isn't a problem for the one creating the images, since any alterations they make to their own work are part of their creative expression (rather than self-censorship), but someone in charge of distributing that artwork might find it problematic.

I should also note that while no one here (that I've read) is calling for suppression, many people are speaking out against the artwork that they don't like. For the most part, this is pretty clearly meant to be a personal expression of opinion; people are simply stating their tastes. However, when statements are made to the effect of calling something "bad" or "wrong," that sounds much closer to a moral judgment than a statement of personal like or dislike.

As people (understandably) want to see immoral actions curbed, that's something that I find discomforting. Hence why I started speaking out against this in the first place; I wanted to debate (what I saw as the) underlying idea that artwork could be found to be morally "bad."

But in any event, I have not argued for a duty of the sort you describe. No one on this thread is calling for women to be portrayed asexually - the criticism is of women being portrayed as hyper sexualised for the pleasure of the imputed male viewer - and the only duty I have advoctaed is one of not portraying all women as hypersexualised in this particular way without regard to context and content.

The problem here, as I've pointed out previously, is that this strikes me as being full of ambiguities. What constitutes "sexualized" versus "hyper-sexualized"? Does having some women who aren't portrayed that way satisfy that duty as not having portrayed "all" women that way? How does one judge the "context" of a picture (with or without regard to meta-contextual elements)? I find there to be too many personal judgments here to make this a reliable standard.

That is a contentious claim, although not necessarily false for that reason. But you seem to be equating "permissible but not obligatory" with "no moral dimension", and that would be a mistake. Raz and his followers, for instance, think that there are actions which are permissible but not obligatory, but it doesn't follow that they have no moral dimension - part of what makes them permissible is that they realise value, and part of what makes them not obligatory is that there is no obligation on any particular person to realise that particular value.

But even if there are actions with no moral dimension, that does not entail that there are categories of decision - such as deciding what to publish - upon which morality has no bearing. The mainstream view, I think, is that "what I should do all things considered" is intimately connected to "what I should do, morally speaking"; but even those who want to emphasise the distinction beteen these two things nevertheless think that morality is relevant to deciding what I should do, all things considered.

In hindsight, I could have stated my previous assertion better, as I can see how you'd read what I wrote previously and think that I was conflating the two. To clarify, I'm attempting to highlight the nature of actions that are without virtue but that are also without fault (since I think that's an area that is being overlooked), whether because they have no moral dimension whatsoever, or whether because they fall under the category of supererogatory actions.

That said, nothing you mentioned implies that there are not "categories of decision" (a term that I find somewhat too broad) that necessarily have a moral dimension either. It's entirely possible to ask "what should I do, morally speaking?" and find that the answer is "not applicable." At the risk of sounding tautological, morality is relevant except for where it's not relevant.

This is a non-sequitur. Suppose, for instance, that it's superogatory rather than obligatory to try and rescue my neighbour from a blazing hiousefire. It doesn't follow that I can decide whether or not to attempt the rescue without considering any moral dimension. In fact, I have to consider the moral dimension in order to determine that attemting the rescue would be superogatory, and hence that I am permited not to attempt it.

You seem to be running together "relevant considerations" (which moraity always is, at least in the mainstream contemporary view) and "determinative considerations" (which on at least some views morality is not).

See above. I'll admit I should have drawn a clearer distinction; I'm simply trying to point out that there are amoral areas (neither good nor bad), because I perceive those as being rapidly lost in the conversation.

I can fairly easily construct cases where that does matter - eg if you know that, by ordering the chocolate, you will engender the suffering of many people, whereas this won't be so when you order the vanilla, and if nothing else is at stake in choosing a flavour (eg it's not like you have to order the chocolate to stay true to yourself), then it does matter, morally, which you order.

Now let's change the example from one of ordering vanilla or choclocate, to one of ordering steak or salad. In that case Peter Singer has a well-known argument that it certainly does matter. You might disagree with Singer, of course, but you don't show he's wrong simply by asserting that ordering of food is not, per se, a moral matter. Because that claim is precisely what he claims to have refuted.

That's only because you've altered the terms of the hypothetical to the point where it's a different decision altogether that just keeps the same labels. If ordering chocolate means that you've somehow given money to a brutal junta that's keeping the population in their evil chocolate factory (e.g. Willy Wonka, in the original draft ;)), versus ordering vanilla, which will give money to a hard-working domestic family, then you're not asking "what's the morality of vanilla vs. chocolate?" you're asking "what's the morality of giving money to one of these groups versus another?" and just using "vanilla" and "chocolate" as shorthand.

To put it another way, that's a significant moving of the goalposts.

Likewise, if you are going to contend that choice of what to publish is never morally significant then you have to offer some argument that actualy engaged with those who say that it does make a difference when what you're publishing is (say) hate speech, or some other form of morally or politicaly suspect material.

That is my argument, that such materials don't have the moral characteristics that others imbue them with.

As I said, I don't know any mainstream philosopher who would take that view. From moderns Aristoteleans like Raz and his followers, to Kantians like Onora O'Neill, to consequentialists like Singer, all would think that, before you say or publish something, you should think about its moral value. (Nietzscheans would also agree, I think, that you shuold think about its value, but would contest the idea that this should be moral value. I'm not thinking of them as mainstream, though, at least in English-language philosophy.) Which isn't to say that any of them would advocate suppresion (though some might) - that's a further question. They're talking about the individual's duty as a publisher, not the duty of others to control that person.

This is based on the presumption that I'm advocating that you not consider the moral aspect of an action, which is clearly not my position. I'm pointing out that it's entirely possible to ask that question regarding an action and come back with an answer of "there is no moral aspect to be found with regards to this action." That makes it amoral - much as with a supererogatory-level action where the virtuous thing is not undertaken - and so satisfies that question.

It's also incorrect to phrase the conflict for a publisher in terms of "the duty of others to control that person." Rather, it's the duty of that person not to control the distribution of the free expression of others based on their own personal taste. Even if they feel the work is immoral, it's more important that they let others view it and decide for themselves.

This is mere assertion. What is the argument? I would also say that you make it easy for yourself, with your examples of boats and fruits. I don't want to break board rules, so I won't push the limits, but the claim that (say) the decision to paint a picture of a child in a sexual pose has no moral dimension to it is a slightly harder one to defend, I think. Appeals to intuition won't be enough.

Leaving aside the issue that any argument in regards to moral philosophy is going to come down to personal choice, the argument is that actions have a moral dimension to them (even if that dimension is amorality).

That said, the point of hypotheticals is to make it easy on onesself; their purpose is to demonstrate the point of the person creating them.

Finally, the hypothetical you raised is one that's uncomfortable, but not at all difficult to defend. You may not like such an image, but that's a matter of personal taste, not morality (since ink on paper isn't an actual person, and so should not be judged by that same standard).

My best work in moral philosophy has been published in Philosophy and Public Affairs. I'm pretty well-read in the field, given that I am a tenured academic who teaches and publishes in the area. Rather than telling me I need to study a great deal more, you'd do better at persuading me by actually naming some mainstream moral philosopher who would agree with you that moral considerations have no bearing on decisions about what to publish.

I disagree here. Appeals to authority can be helpful, but they're not the be-all end-all of the discussion. Moral philosophy ultimately comes down to a personal system of beliefs. I believe in the set of deontological ethics that I've outlined here - telling me that they're not in line with Nietzsche, or another well-known philosopher - doesn't undercut the nature of the argument I'm making.

Even Milton Friedman (who is not a philosopher, but who has relevant views nevertheless), who famously said that corporations have no duties other than to pursue profits, was taking it for granted that the government would establish regulations around corporate activity such that the money-making aims of corporations would be aligned with moral requirements. So he didn't regard moral considerations as having no bearing on decisions about production - he was rather arguing for a division of labour, in which government would ensure moral requirements are met by structuring market incentives in the right way.

That's not a division of moral structure, however. Friedman was simply positing that since private enterprises make necessarily-amoral decisions (though I suspect that calling them supererogatory would be more correct), governments need to step in to help promote the general welfare; that doesn't mean that the government is appropriating a moral dimension that's present in those corporate decisions.

I'm not sure what you are referring to by "that", but John Gardner, Professor of Jurisprudence at Oxford University, is a pretty major figure in contemporary deontological moral philosophy. His views aren't quite different from deontological ethics. They are instances of deontological ethics. His view that the criminal law would be illegitimate if it did not track morality is itself a view within deontological ethics. Whereas utilitarians notoriously seem to be commited to a different view of the criminal law, namely that it should not condemn immoral action - ie action that failed to maximally promote welfare (that being the utilitarian criterion of morality) - but rather should condemn or praise in such a way as to maximally promote welfare.

Leaving aside the continued appeal to authority you keep making here, if you want to posit that someone's position backs up your own, please cite an actual source. Saying "this person is an authority, and he agrees with me," isn't enough.

I don't really follow this, but my question to you is: if you think that actions matter morally, how do you individuate them except by reference either to their results (whether internal and therefore necessary, or whether contingent) or to their intended results?

As I've said, morality is determined by the nature of the action itself (e.g. what action is it?) and then assessing its moral dimension based on the deontological struture. At least, that's how I do it - your value system likely varies.
 

Neither the government nor its agents forced a change in the depicting of creatures like the Harpy, ergo, no censorship.


My understanding of events is that a certain amount of art (including the depiction of harpies and succubi, the removal of demons and devils, etc) was changed between 1st and 2nd edition AD&D in part because of "moral objection" to their inclusion in a game perceived, rightly or wrongly, for children. I'm guessing the people arguing the art has been "censored" mistakenly characterise this and similar changes to be censorship, which it clearly isn't--it's marketing.


On the wider point of sexism and ethnicity, I've always viewed DnD as a toolkit (to borrow from another thread) that, at various different times, has been supplied with an implied setting to a greater or lesser extent. Assuming for the moment WotC want to maximise their profits and their opportunity to deliver the modular system they have suggested, I imagine they'll release a core set of rules and modularise the different settings. If that's the case (and I recognise the size of that "if") it only seems sensible to me for the rules to be marketed as "this is what you as a player can do..." and cramming in as much artistic diversity as possible only serves to support that.


I wonder how much of this argument against diversity boils down to people's take on "that's not DnD"?
 

I hate it when people throw that word around improperly.

Neither the government nor its agents forced a change in the depicting of creatures like the Harpy, ergo, no censorship.

Clearly we need a different word that refers to "the removal of art from the public sphere because of the outcry of an offended group". Because that's what people really mean when they talk about censorship in America.
 

My understanding of events is that a certain amount of art (including the depiction of harpies and succubi, the removal of demons and devils, etc) was changed between 1st and 2nd edition AD&D in part because of "moral objection" to their inclusion in a game perceived, rightly or wrongly, for children. I'm guessing the people arguing the art has been "censored" mistakenly characterise this and similar changes to be censorship, which it clearly isn't--it's marketing.
Yep, and I blame our American "puritanism" for that. As anyone who has ever lived in Europe can attest, the presence of classical/fine art & architecture everywhere has gifted those outside the USA with a more permissive attitude towards depictions of human nudity. Which has been carried forward in time via a bit more of that in advertising & pop culture, etc.

To this day, I still remember the sex shop across the walkway from the Nordsee restaurant in a mall in Stuttgart, Germany. And the billboards for sex comedies, etc. Hell, I actually got in trouble for doing a slides show for 8th grade show & tell that included pictures from the Louvre that had nudity in them.

It just doesn't bother y'all like it does so many over here.
Clearly we need a different word that refers to "the removal of art from the public sphere because of the outcry of an offended group". Because that's what people really mean when they talk about censorship in America.

The usual phrase is "bowing to public pressure". Some have used the word "kowtow."
 
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So that leaves race. 4E and 3E don't really tackle this very well, although 4E tries to. Clearly, D&D Next is going to go further, but the real question is... why? Considering that D&D is fantasy and not real, considering that D&D is played by people of all races, considering that D&D depicts and features fantasy races, should it really matter?

If it doesn't matter to you, why are you here arguing about it?

I notice everyone is carefully avoiding saying "I want D&D artwork to portray mostly white people, with very few who look black, Asian, or Native American." Yet you are, without coming right out and saying it, arguing for this to be the case in D&DN. If you really don't care, what does it matter what the mix is? Let those who care about it, have what they want, and it won't make any difference to you.
 
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Yep, and I blame our American "puritanism" for that. As anyone who has ever lived in Europe can attest, the presence of classical/fine art & architecture everywhere has gifted those outside the USA with a more permissive attitude towards depictions of human nudity. Which has been carried forward in time via a bit more of that in advertising & pop culture, etc.

As someone born and bred in England I'm inclined to agree. I've never been to the USA, much less lived there, so my opinion is obviously distorted by the lens of the media but my eyebrow is often raised by some of the objections raised in certain quarters.

Hell, I actually got in trouble for doing a slides show for 8th grade show & tell that included pictures from the Louvre that had nudity in them.

Things like that, for example.
 

D&D's artwork has already been purged of images offensive to women.

I seriously do not think you have any idea what is and isn't offensive to women. Nakedness and depictions of sexuality are NOT automatically offensive to women. Consistently portraying women as stupid, as inadequately dressed and equipped for the jobs they are supposed to be doing or as unworthy of regard for anything except how their bodies look, is a lot more likely to annoy and exasperate female players and make male players look like nerdy virgins who can't deal with normal women who are not unrealistic sex cariactures.

Normal, sane women who are doing the same jobs as men wear appropriate gear and equipment for the environment they will be in and the challenges they will be facing. They do not arch and pose in skimpy lingerie on the battlefield, because that is stupid. When the art consistently shows them doing so, it says some things about the people who have these fantasies and who are unable to cope with women being normally and sensibly dressed for the jobs they are supposed to be doing. I don't think they are very flattering things either for the men or the women in our hobby.
 

Dude, you need some exposure to a thesaurus.

In the meantime, adding my own matches and lighter fluid to your strawman: nobody is talking about purging Caucasians. We are talking about including other ethnicities. Its not a zero-sum equation: while they CAN replace some of the Caucasians with others, they could also increase the overall amount of art.

Not sure what the thesaurus commment is supposed to be about, you're wanting alternate words for 'coloured' or 'oriental'... why exactly? Is there actually any PC way of saying someone of a different race? To some, the answer seems to be no, just don't say it at all. I wonder what is happening to our language and our ability to communicate with this kind of censorship of words happening. An attempt to shut down an argument that someone doesn't like because they oppose it? Decide for yourself.

As for a zero sum game, it is and it isn't. There is room for so much artwork, so many panels, in any rule book. Each of those panels has so much room for content. If you include more of anything, lets say dragons because surely you won't object to this example, then you get less of something else, let's say crossbows, unless you include art that has both. Now that's fine with two examples, but when every picture has dragons, crossbows, boulders, sunshine and black cats in it... the agenda is beginning to affect the quality of the product itself. The only other thing to do, while preserving the agenda, is to lose some of the sunshine that people are thinking is such a problem. A roundabout way of saying; either the quality of the product gets compromised or something gets lost. In our case, it's the white folk that are going to go. It's a practical thing.

Or we the fans can voice our discontent at an agenda (political in nature) threatening the integrity of our (non political) little game; not that it's going to do much good because the people who are vocal about wanting this do not listen to reason as a whole. Their minds are already made up about this issue. D&D is just another product to get 'white washed' with the diversity paint bucket to them. There is nothing special about it.

Edit - Anyway, feel free to shoot me down, insult me, not listen to me, paint me as this or that as you see fit. I'm only a guy with a point of view, not some demon or devil, a point of view which may or may not match your own. Who knows, maybe I actually have some valid points, if you take some time to think about them.
 
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